America’s staff returns to give their favorite recommendations of what to watch this summer.
Film
How Pixar’s ‘Inside Out 2’ explains modern therapy culture
Talented minds are implanting ideals in the inner landscapes of our young. We should be paying more attention.
‘Irena’s Vow’ tells an overly simplistic tale about the Holocaust
“Irena’s Vow” is true story of a Catholic nurse who used her position to shelter a dozen Jews in World War II-era Poland.
‘Late Night with the Devil’ asks: What would happen if we communicated with demons on live TV?
“Late Night with the Devil” is a film that lives on the knife’s (or dagger’s) edge—a stark reminder that we are all possessed by something.
Mothers Cabrini and Seton come to life in two new documentaries
Two new films on the lives of Mother Seton and Mother Cabrini are placing the spotlight on lesser-emphasized aspects of these holy women’s lives.
‘Immaculate’ is not your mother’s nun movie. It’s a feminist convent-horror film.
“Immaculate” is a cut above its cinematic cohorts, due in no small part to its decidedly feminist take.
‘Oppenheimer,’ Christopher Nolan and Emma Stone: What made the 2024 Oscar winners great
In a somewhat predictable race, “Oppenheimer” took home seven Oscars, including “Best Picture.” Despite its dominance, however, it was not the only film to gain attention during this competitive awards season.
I was worried ‘Cabrini’ would be another sappy religious movie. I was wrong.
My sense of dread over the film “Cabrini”? It was replaced by respect, even joy.
‘Anatomy of a Fall’ is a whodunit film that is actually not that interested in who did it
“Anatomy of a Fall” suggests that a criminal trial is a game that rewards whoever can tell the best story most convincingly.
A Catholic defense of ‘Barbie’ and Greta Gerwig’s feminism
Greta Gerwig’s art reveals the truth that there is dignity in simply being a woman—an embodied, relational, imperfect woman.
