‘Nickel Boys’ preserves Colson Whitehead’s critically acclaimed narrative style while adding cinematic texture that enhances key details of the book.
Film
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When Catholics controlled Hollywood
In 1930, Hollywood teamed up with the Catholic Church. The result was the Production Code, a document that dictated what movies could and could not depict.
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Review: New ‘Nosferatu’ examines how women’s sexuality is dominated and demonized
Robert Eggers’s ‘Nosferatu’ walks the line between desire and dread, the thrill and terror of surrender.
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A Bob Dylan nerd reviews ‘A Complete Unknown’
As a young Bob Dylan in “A Complete Unknown,” Timothee Chalamet captures some of the iconic singer’s enigmatic yet magnetic personality.
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Review: In ‘The Brutalist,’ a Holocaust survivor encounters the (very) dark side of the American Dream
“The Brutalist” harkens back to a golden age of bravura filmmaking while pushing forward toward new cinematic possibilities through provocative storytelling.
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Review: ‘Mary’ on Netflix presents the Virgin mother with an edge
“You may think you know my story,” says Mary, having galloped into the movie on horseback. “Trust me. You don’t.”
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In ‘Gladiator II,’ spectacle comes first
The pacing of “Gladiator II” says a lot about what Ridley Scott’s priorities were for this film: spectacle, immersion, pure feeling.
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Review: ‘Bonhoeffer,’ Christian complicity and the fight against fascism
What separates “Bonhoeffer” from the myriad instructive Holocaust biographies and melodramas is its timing.
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Review: ‘Wicked’ challenges what we think about good and evil
“Wicked” arrives on a whirlwind of eager (and anxious) anticipation among fans of the musical.
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In ‘Small Things Like These,’ Cillian Murphy confronts the misery of Ireland’s ‘Magdalene laundries’
“Small Things Like These” is dedicated to the girls and babies who went through the Magdalene laundries, the last of which closed in 1996.