“Liberation” is, really, a play of ideas and argument, in the tradition of George Bernard Shaw or Tony Kushner.
Rob Weinert-Kendt
Rob Weinert-Kendt, an arts journalist and editor of American Theatre magazine, has written for The New York Times and Time Out New York.
Posted inFilm
In ‘Blue Moon,’ Ethan Hawke surprises as a melancholy Broadway legend
The new movie “Blue Moon,” named for one of Rodgers & Hart’s most enduring tunes, is set at the pivot between these two eras—from Jazz Age sass and Depression-era gloom to post-World War II patriotism and conformity.
Posted inTheater
In ‘Ragtime,’ the idea of a just, multiracial America is tragically incomplete
A new revival of ‘Ragtime’ plays like a dead-serious fable.
Posted inTheater
Why ‘Waiting for Godot’ is worth reviving—with Keanu Reeves and Alex Winter
This “Godot” is more brisk and playful than most, with one irresistible (if inadvisable) “Bill & Ted” reference.
Posted inArts & Culture, Books
Review: A new biography of Lin-Manuel Miranda tells his creative origin story
In his engaging new biography, ‘Lin-Manuel Miranda: The Education of an Artist,’ Daniel Pollack-Pelzner traces a career path that was hardly inevitable or solitary.
Posted inTheater
‘Saturday Church’ and ‘The Brothers Size’: Stories of Black queer spirituality
For queer Christians of any race, the church has too often felt not like a loving home but rather a house of judgment.
Posted inTelevision
I’ve never loved medical shows. ‘The Pitt’ is different.
“The Pitt” often feels like it’s aiming to be the medical show to end all medical shows.
Posted inTheater
‘Twelfth Night’ in Central Park is Shakespeare as we like it
The beloved Delacorte Theatre in Central Park has reopened as a sleeker, more comfy, more accessible version of itself. You could apply each of those adjectives to the show onstage as well.
Posted inArts & Culture
Netflix and George Clooney bring fan service to Broadway
Fan service isn’t just for Marvel movies. It’s alive and well in ‘Good Night and Good Luck’ and ‘Stranger Things: The First Shadow.’
Posted inArts & Culture, Theater
‘John Proctor Is the Villain’ gives us a ‘Crucible’ for a post-#MeToo world
We may be used to #MeToo stories at this point, but Kimberly Belflower brings a new twist to a classic tale with ‘John Proctor Is the Villain.’