Middle Eastern representation is notably scarce in New York. ”English” and ”A Knock on the Roof” seeks to change that.
Rob Weinert-Kendt
Rob Weinert-Kendt, an arts journalist and editor of American Theatre magazine, has written for The New York Times and Time Out New York.
Can one performance reinvent a classic musical? Audra McDonald does it in ‘Gypsy.’
Audra McDonald, our greatest living musical theater actor, transforms the role of Momma Rose in a stunning new revival of “Gypsy.”
‘Maybe Happy Ending’ is a musical about robots—but it’ll make you feel alive
With ‘Maybe Happy Ending,’ two first-time Broadway writers take a big swing—and hit a home run.
Three new musicals about fabulous and funny women
Age and its relationship to stardom is the animating subject of “Sunset Blvd,” “Tammy Faye” and “Death Becomes Her.”
Reviews: ‘Our Town’ returns to Broadway, and Jez Butterworth revisits 1950s England
Two new productions on Broadway—“The Hills of California” and ”Our Town”—meditate on theater as a kind of shared imaginative space.
‘Slow Horses’: a ragtag spy thriller with le Carré style and retro charm
Apple TV+’s ’Slow Horses‘ plays a bit like John le Carré with more firepower. And efficiency.
‘Cabaret’ returns to Broadway: Facing the Nazis’ most diabolical crime on stage
The complicity of ordinary Germans in the Holocaust is the central subject of two shows now running in New York City.
Stars Jeremy Strong and Steve Carell can’t save Broadway’s ‘An Enemy of the People’ and ‘Uncle Vanya’
Two new Broadway productions cast these two towering figures in sharp relief.
How dance brings Sufjan Stevens’ music to the next level in ‘Illinoise’
‘Illinoise,’ the new dance-theater piece by choreographer Justin Peck, is as bespoke as Stevens’s carefully composed album.
‘Doubt’: A classic Catholic play returns to Broadway
It is only two decades old, but “Doubt” already feels like it’s been with us forever.
