Richard Linklater’s journey through ‘Boyhood’
John Anderson
Sisters Act: Two documentaries on the work of women religious
There is nothing quite like a nun with a voice.This month, 50 years after Soeur Sourire, the Belgian singing sister, topped the charts with her pop hit “Dominique” (and received the dubious distinction two years later of being portrayed on screen by Debbie Reynolds), Sister Cristina Scuc
Out of the Convent: ‘Ida’ takes a journey through postwar Poland
The film “Ida” is “less concerned with recounting the Holocaust than in absorbing its echoes.”
Waterworld: The biblical ambition of Darren Aronofsky’s ‘Noah’
The biblical ambition of Darren Aronofsky’s ‘Noah’
Elevated Action: ‘Divergent’ doesn’t dumb down
“We’d like to applaud the filmmakers for raising reading levels, in an industry where dumbing-down is the business model.” Film critic John Anderson reviews ‘Divergent.’
The Water That Time: The Biblical ambition of Darren Aronofsky’s ‘Noah’
Is it blasphemous to say that the problem with “Noah” is the story? That it may not be substantial enough to float a star-driven, effects-laden, $125-million movie? Or that director Darren Aronofsky’s attempt to hang flesh, blood, human logic and nautical mechanics on a tale that b
Character Study
The night before this review was being tortured into near-coherence a musical group called the Postal Service appeared on ldquo The Colbert Report rdquo promoting its new release ldquo Give Up rdquo mdash which was actually recorded 10 years earlier and was being re-released The history of
Dallas, 1963: ‘Parkland’ returns to the scene of the crime.
The most important news photographer of the 20th century was a Russian-Jewish immigrant clothing manufacturer from Dallas, Tex., who almost left his camera home on the day his life went crazy. Abraham Zapruder, whose half-minute film has fueled a half-century of conspiracy theories, recorded a presi
Art Patrol: ‘The Monuments Men’ is no masterpiece
In many ways, we still live in an Adolf Hitler world. The Middle East is his legacy; so is the configuration of post-Soviet Eastern Europe. And while it may seem like a subordinate concern, his indiscriminate kleptomania and infinite bad taste continue to reverberate through the world of art.To get
‘American’ Made: David Russell’s scam-tastic journey into this bonko nation
John Anderson reviews “American Hustle,” nominated for best picture in the weekend’s Academy Awards.
