Arthur Miller’s “Death of a Salesman,” which turns 75 this year, was a huge hit by any commercial or critical standard. In 1949, it pulled off an unprecedented trifecta, winning the New York Drama Circle Critics’ Award, the Tony Award and the Pulitzer Prize for Drama. So attention must be paid!
Theater
How dance brings Sufjan Stevens’ music to the next level in ‘Illinoise’
‘Illinoise,’ the new dance-theater piece by choreographer Justin Peck, is as bespoke as Stevens’s carefully composed album.
‘Doubt’: A classic Catholic play returns to Broadway
It is only two decades old, but “Doubt” already feels like it’s been with us forever.
A Jesuit high school grad explores grief and reconciliation through directing theater
Thanks to Jack Serio’s direction and playwright Ruby Thomas’s script, “The Animal Kingdom” falls into the category of a difficult but necessary watch, and the questions we are left with inspire us to think more critically about our mental health and relationships.
John Patrick Shanley on ‘Doubt,’ sex abuse and his Catholic upbringing
In an interview with Rob Weinert-Kendt, the playwright John Patrick Shanley discusses the continued resonance of ‘Doubt.‘
Interview: ‘Terce: A Practical Breviary’ composer Heather Christian believes in theater
“Terce: A Practical Breviary” doesn’t feel all that far from a worship experience—at least, what an ideal worship experience might be.
Voice, posture, emphasis: What priests could learn from theater actors about saying Mass
The way a presider celebrates Mass can illuminate the congregation’s experience of liturgy.
The big family drama returns to Broadway with ‘Appropriate’ and ‘A Prayer for the French Republic’
For playwrights, family dramas are never just about families.
The great message of ‘Our Town’: Nostalgia and regret come with age. So do grace and compassion.
Good theater draws us into its few hours of seeming reality, but it is most effective when it speaks to our lived reality.
Three new shows break the mold of the jukebox musical—for better and for worse
Three new Off-Broadway shows don’t just show us what draws musicians to their chosen medium; they make us hear it, with often bracing effect.
