Richard Bausch’s latest collection, ‘The Fate of Others,’ affirms Bausch’s reputation as one of America’s greatest storytellers.
Literature
‘Winnie the Pooh’ made A. A. Milne rich—but not for the reasons he wanted.
A. A. Milne created “Winnie the Pooh” and all his fantastical friends—but was also a novelist, playwright, screenwriter and, by many accounts, a disappointed intellectual.
No one reads anymore. But you should if you want to be a good Catholic.
If we really are entering a postliterate culture, what does that mean for faith?
A Catholic classicist on Christopher Nolan’s ‘The Odyssey’
In ‘The Odyssey,’ Christopher Nolan gives us a sobering vision of civilizations that rise, collapse, but rise again.
An unsung Jane Austen heroine: Mary takes center stage in ‘The Other Bennet Sister’
“The Other Bennet Sister” on BritBox places Mary Bennet in the spotlight and follows her own journey towards finding happiness.
JD Vance can tell a story of conversion. But of communion—not quite yet.
JD Vance’s story suggests he has taken from the church its beauty, its authority and its pedigree but the pews and the people in them he has largely left behind.
‘The House of Spirits’: a sumptuous miniseries based on a classic Chilean novel
The series creators deserve credit for deftly compressing Isabelle Allende’s dense, sprawling novel into eight very watchable episodes.
‘America’ magazine’s most compelling Fourth of July musings over the years
As we all prepare for the 4th of July, going through some of America’s past commentaries provides some curious glimpses of the preoccupations and hopes of other generations.
Beach reads, old faves and some seriously hefty tomes: The ‘America’ summer reading list
Some of our recommendations are great beach reads; some are serious history books; and one of them is an old encyclical, because Jesuits gonna Jesuit.
Review: A counternarrative to American religious history
Matthew Sutton’s ‘Chosen Land’ addresses American religious history as one of a luxurious pluralism—but he often crosses the line into a perhaps-overdone editorial voice that grates on the reader.
