In “Poor Things,” Emma Stone is Adam, in a sense, the product of a modern Prometheus, who will drive men wild. Which is both the funniest and pointed aspect of her picaresque tale.
Film
Review: In ‘Maestro,’ we see the complexity in Leonard Bernstein’s music, marriage and sexuality
Bradley Cooper’s new Leonard Bernstein biopic, “Maestro,” offers a portrait of a soul that struggled to determine which direction it wanted to take in the world of classical music.
Lights, camera, Amen: the love-hate relationship between the Catholic Church and Hollywood
Should a Catholic Church ever be a movie set? From our most iconic movies to some regrettable music videos, it’s a question that has been asked many times and answered in different ways.
‘Joyeux Noel’ offers a ‘dangerous’ Christmas memory from World War I
Like the soldiers in the film, we will raise our voices on Christmas and sing about peace on earth—but we should also reflect on what we’ll do to make it a reality.
Catholic Movie Club: ‘Rocky,’ an unlikely resurrection story
‘Rocky’ is a reminder that impossible things have happened before. And, if we believe, they can happen again.
Catholic Movie Club: In ‘Win Win,’ Paul Giamatti wrestles with life’s blessings
In Tom McCarthy’s film, the truly good things in life—love, trust, purpose—require hard, honest work.
Italian film ‘Rapito’ tells the shocking true story of a Jewish boy kidnapped by the Vatican
“Rapito” is a compelling and often infuriating tale of church power that will likely never be shown at the Vatican.
Catholic Movie Club: ‘Lilies of the Field’ reveals what happens when God forces us to change our plans
God can be a real pain. I think Homer Smith, the protagonist of “Lilies of the Field” would agree.
Catholic Movie Club: ‘Coco’ builds a bridge between the living and the dead
In “Coco,” memory doesn’t just summon up phantoms from the past, it reunites us with those we’ve lost.
Supernatural or superstitious? Looking back at ‘The Exorcist’
Five decades ago, ‘The Exorcist’ proved to be a box office juggernaut—and caused America’s editors to devote a special issue to the film.
