The Reiners, so many agreed, were not the type of couple who would sit down. They used their influence and voices to make a difference and had a multigenerational impact.
Art
Mary’s death in Christian art: Remembering her as more than a mother
When we honor Mary the mother, the moon who shines by the light of her son, we should also remember that her soul shone with its own light, too.
Bible described as the ‘Mona Lisa of illuminated manuscripts’ goes on display in Rome
A 15th-century Bible which is considered one of the most spectacular examples of Renaissance illuminated manuscripts went on display in Rome on Thursday as part of the Vatican’s Holy Year celebrations.
To see as Mary sees: Marian art in an age of distraction
Marian art shows that distractability is itself a form of attention, one that is essential to living a Christian life.
A new exhibition celebrates the most cherished book of the Bible: the Psalms
“Sing a New Song: The Psalms in Medieval Art and Life” is on display through Jan. 4, 2026, at the Morgan Library and Museum in New York.
When is art sacred? A Jesuit artist on what makes the absurd, the abstract and the ordinary holy
Sacred art is not defined by appearances or even an artist’s intention. It is holy when it awakens us to God, ourselves and the space in between the two.
Flannery O’Connor’s artistic visions
Flannery O’Connor’s drawings, cartoons and paintings offer another way to take the measure of a woman who took the measure of our souls.
Veiling as a metaphor in the art of Corita Kent
For Corita Kent, the presence, modification or absence of the veil in her wardrobe throughout her lifetime signaled moments of transition and resilience. Her manipulation of materials onto the fabric of the silkscreen also communicated such moments.
New mural in St. Patrick’s Cathedral celebrates New York’s immigrant history
The largest permanent artwork commissioned in the 146-year history of “America’s Parish Church,” the painting depicts the apparition at Knock in Ireland, along with New York saints, servants of God, immigrants and first responders.
A Jesuit architect visits the new Notre-Dame
The craftsmanship is extraordinary—woodwork, stonework, metalwork and glasswork. Even with a trained eye, it is almost impossible to distinguish the parts that were replaced from those that survived the fire.
