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In biblical poetry a vineyard often represents the beloved. The prophet Isaiah begins to “sing for my beloved my love-song concerning his vineyard,” a song in which God’s affectionate care of Israel is recounted. The love song quickly becomes a lover’s lament, though, as Isaiah tells how the vineyard was prepared with tenderness, but since it produced “wild grapes,” it will now be abandoned. God speaks: “I will remove its hedge, and it shall be devoured; I will break down its wall, and it shall be trampled down. I will make it a waste; it shall not be pruned or hoed, and it shall be overgrown with thorns and briers; I will also command the clouds that they rain no rain upon it.”

What fruit should the vineyard have produced? Isaiah writes that choice vines were planted, but they yielded only wild grapes. The Hebrew word for wild grapes has as its root a word that means “to stink” or “to smell bad.” The Greek version of Isaiah has instead of “wild grapes” the word for thorns. Stinking, thorny fruit grew in the vineyard; God “expected justice, but saw bloodshed; righteousness, but heard a cry!” This vineyard’s bounty was of no value. But farmers know that land can be rehabilitated. Later Isaiah speaks about a day in the future when the vineyard will be pleasant again and when “Jacob shall take root, Israel shall blossom and put forth shoots, and fill the whole world with fruit” (27:6).

Jesus returns us to the vineyard in his parable, and it seems that the vineyard was now producing good fruit, which the owner wanted to harvest. Though there is no longer talk of wild grapes, the vineyard faced another problem. The owner of the vineyard had “leased it to tenants and went to another country. When the harvest time had come, he sent his slaves to the tenants to collect his produce. But the tenants seized his slaves and beat one, killed another, and stoned another.” The vineyard, it seems, still represents Israel, which is now bearing good fruit, as Isaiah prophesied, although Jesus also speaks of it more broadly as “the kingdom of God.” The owner of the vineyard is still God, the lover of Isaiah’s parable, but new figures have emerged: tenants and slaves.

The tenants, according to Mt 21:45, are the chief priests and Pharisees, who are mismanaging the harvest, which is described not as bad fruit but as a good harvest that is not delivered to the owner. The slaves who are sent to collect the harvest most likely represent prophets like Isaiah, whose love songs were not heeded by the tenants. After sending a number of other slaves, who are killed by the tenants, the landowner sent “his son to them, saying, ‘They will respect my son.’” Instead, the tenants decide to kill him and get his inheritance. Jesus then asked, “When the owner of the vineyard comes, what will he do to those tenants?” The chief priests and Pharisees answered, not knowing they were condemning themselves, “He will put those wretches to a miserable death, and lease the vineyard to other tenants who will give him the produce at the harvest time.” Jesus agreed, saying “therefore I tell you, the kingdom of God will be taken away from you and given to a people that produces the fruits of the kingdom.”

Since the tenants do not stand for the whole people, Israel remains the beloved vineyard of Isaiah’s parable, but the care of the vineyard has been “taken away from” the tenants “and given to a people that produces the fruits of the kingdom.”

These are the followers of Jesus, a people made up of Jews and Gentiles, but their tenancy is dependent upon how well they nurture the vineyard. The accent in this parable is not on the abandonment of the vineyard, but on the care of the good fruits now growing there. Implicit in Jesus’ parable is that the vineyard is bearing worthy fruit! Jesus is not singing a song of triumph, trumpeting the superiority of his disciples, but singing Isaiah’s love song to a broader audience. The vineyard has been expanded, and all are welcome to bring in the harvest, but something other than “wild grapes” are needed to produce “the fruits of the kingdom.”

John W. Martens is an associate professor of theology at the University of St. Thomas, St. Paul, Minn,where he teaches early Christianity and Judaism. He also directs the Master of Arts in Theology program at the St. Paul Seminary School of Divinity. He was born in Vancouver, B.C. into a Mennonite family that had decided to confront modernity in an urban setting. His post-secondary education began at Tabor College, Hillsboro, Kansas, came to an abrupt stop, then started again at Vancouver Community College, where his interest in Judaism and Christianity in the earliest centuries emerged. He then studied at St. Michael's College, University of Toronto, and McMaster University, with stops at University of Haifa and University of Tubingen. His writing often explores the intersection of Jewish, Christian and Greco-Roman culture and belief, such as in "let the little children come to me: Children and Childhood in Early Christianity" (Washington, D.C.: The Catholic University of America Press, 2009), but he is not beyond jumping into the intersection of modernity and ancient religion, as in "The End of the World: The Apocalyptic Imagination in Film and Television" (Winnipeg: J. Gordon Shillingford Press, 2003). He blogs at  www.biblejunkies.com and at www.americamagazine.org for "The Good Word." You can follow him on Twitter @biblejunkies, where he would be excited to welcome you to his random and obscure interests, which range from the Vancouver Canucks and Minnesota Timberwolves, to his dog, and 70s punk, pop and rock. When he can, he brings students to Greece, Turkey and Rome to explore the artifacts and landscape of the ancient world. He lives in St. Paul with his wife and has two sons. He is certain that the world will not end until the Vancouver Canucks have won the Stanley Cup, as evidence has emerged from the Revelation of John, 1 Enoch, 2 Baruch, and 4 Ezra which all point in this direction.