Two seasoned actors explore meaning and mortality in ‘The Waverly Gallery’ and ‘Thom Pain (based on nothing).’
Theater
Review: The Troubles bring trouble to a farm family in Northern Ireland
In the fallen world of “The Ferryman,” conflict and compromise poison everything.
Who is the better songwriter: Bob Dylan or Rodgers & Hammerstein?
How did an old war horse manage to outrun a rolling stone?
What do we owe abusers? A new play asks this uncomfortable question
“Downstate” poses a number of uncomfortable questions, relevant and challenging both in light of the ongoing #MeToo movement and the church’s continued grappling with its sexual abuse scandal.
Review: Leonard Bernstein’s liturgy for the world
With his “Mass,” Leonard Bernstein uses liturgy to give voice to political unease.
Harry Potter is now on Broadway and it might never leave
“Harry Potter and the Cursed Child” is both a sequel to Rowling’s iconic seven-book series and a canny rehash of many of its tropes.
‘Angels in America’ revival takes flight in a new political age
Tony Kushner’s two-part play feels both timely and timeless.
Arthur Miller examined by his daughter in a new HBO documentary
Rebecca Miller has made a film that pays complicated tribute to a complex man.
Malcolm X gets a Shakespearean treatment in a new play
But was the civil rights leader Brutus or Caesar?
How American Theater is wrestling with the Trump era
Three plays invite us to look back on the decade that launched Trump as a time of churning ambivalence and upheaval.
