It is only two decades old, but “Doubt” already feels like it’s been with us forever.
Theater
Interview: ‘Terce: A Practical Breviary’ composer Heather Christian believes in theater
“Terce: A Practical Breviary” doesn’t feel all that far from a worship experience—at least, what an ideal worship experience might be.
The big family drama returns to Broadway with ‘Appropriate’ and ‘A Prayer for the French Republic’
For playwrights, family dramas are never just about families.
Brian Friel’s ‘Translations’ explores the sacred act of naming in colonized Ireland
In “Translations,” Brian Friel’s theatrical masterpiece grapples with how naming affects cultures, identities, relationships and more; something already familiar with the Catholic church.
Three new shows break the mold of the jukebox musical—for better and for worse
Three new Off-Broadway shows don’t just show us what draws musicians to their chosen medium; they make us hear it, with often bracing effect.
Stephen Sondheim’s final musical is a satisfying cap to an extraordinary career
Sondheim has left the building, and he lives on only in interpretation and iteration, no less than Shakespeare or Mozart.
Take me to church (or to Broadway): ‘Purlie Victorious’ and the catharsis of Black theater
Can I get an amen?
‘Dead Man Walking’: An operatic exploration of Sister Helen Prejean’s death row ministry
“Dead Man Walking” is a deeply human story about truth, forgiveness and the possibility of redemption. It is a journey into which everyone—from the singers to the audience—is invited.
Playwright Annie Baker offers a theology of pain in her new play ‘Infinite Life’
For theater fans, the arrival of a new Annie Baker play is cause for celebration.
Review: ‘Back to the Future’ and ‘The Shark is Broken’ bring movie brands to Broadway
Two new Broadway productions offer case studies in brand extension and fan service.
