Ahead of the Tony Awards this weekend, a look at the state of the American musical
Theater
Race and Grace: A classic by Flannery O’Connor comes to life.
A classic by Flannery O’Connor comes to life.
From Rags to Revolutionary: ‘Hamilton’ tells a true American story
‘Hamilton’ tells a true American story
Doomed to Endure: Eugene O’Neill’s ‘Iceman’ comes to New York.
In 1912, at the tender age of 24, an aimless, alcoholic college dropout named Eugene O’Neill tried to commit suicide in a New York City flophouse called Jimmy-the-Priest. By then he’d already been married, had a son and divorced, and there was much more personal tumult to come in his eve
From Rags to Revolutionary: ‘Hamilton’ tells a true American story
Depending on when you date its birth, it took rock music as much as a decade and a half to move from the pop charts to the Broadway stage, with 1968’s “Hair.” Hip-hop has been with us nearly twice as long—at least 30 years, if you measure by mainstream success—and as su
Look at This: The strange, seductive worlds of ‘Cabaret’ and ‘Side Show’
A show that skewers show business strikes a slippery bargain with its audience, and it can backfire. While we may smile knowingly at its insights into backstage chicanery and the cynicism of producers, and enjoy its winking parodies of other, implicitly lesser shows, a piece of entertainment intende
Truth and Daring: The provocative, gripping challenge of ‘Disgraced’
The provocative, gripping challenge of ‘Disgraced’
Show Thyself: Broadway satire at its best in ‘It’s Only a Play’
One of the most delightful forms of satire occurs when theater makes fun of itself. Some of the classics of the type include such hits as “The Royal Family,” Edna Ferber and George S. Kaufman’s parody of the Barrymore family, the reigning stars of Broadway at the time; Kaufman and
Watching Rome Burn: Two shows challenge the complacent viewer.
A show that skewers show business strikes a slippery bargain with its audience, and it can backfire. While we may smile knowingly at its insights into backstage chicanery and producerial cynicism, and enjoy its winking parodies of other, implicitly lesser shows, a piece of entertainment intended to
Staying Afloat: Two new productions navigate chaotic times
Two new productions navigate chaotic times
