When “American Vandal” debuted on Netflix last year, it seemed to be positioning itself as the raucous send-up of the true crime genre. In Season Two, there is a much sharper edge to this new premise.
Television
An interview with Jim Gavin, creator of whimsical, offbeat “Lodge 49”
“Lodge 49” is a “very personal story” for creator Jim Gavin. “It’s about losing a parent and losing everything you worked for as a family.”
Sacha Baron Cohen searches for America. Don’t be shocked by what he finds.
As an agent provocateur, Cohen’s new show had an impact before it even aired.
“Queer Eye,” “Terrace House” and a kinder, gentler reality TV
Rather than provoking derision, these shows inspire a sense of empathy, a broadening of horizons.
“13 Reasons Why”: Forgiveness, religion and letting go
Forgiveness is an underlying theme in the second and latest season of the controversial Netflix teen drama series, “13 Reasons Why.”
‘Roseanne’ and the Two Standards of ABC
ABC faced a decision: invest in stories that speak to our best selves, or make a big splash with a show that draws out our worst instincts.
“Wild, Wild Country” raises serious questions about modern religious life
Sometimes the best way to understand a phenomenon is to look at its parody.
Chris Rock’s new Netflix special is must-see TV for couples
“Tambourine” should be mandatory viewing in all diocesan Pre-Cana programs.
Review: “Little Women” revitalizes a classic for a new generation
The journey of growing in virtue need be neither boring nor sentimental, but ever fresh and unexpected.
Why “Dear White People” is our best look at racial politics on U.S. campuses
“Dear White People” gets into the nitty-gritty of campus life, where students’ politics must coexist with their personal relationships, and sacred principles must endure alongside collegiate stupidity.
