“Love, Victor” raises important questions about how same-sex desire is construed across religious and ethnic divides.
Television
The deep spirituality of ‘Avatar: The Last Airbender’
A cartoon series from a decade ago proves to have profound lessons for today.
‘Mrs. America’ exposes the limits of feminism and conservatism
As a Catholic active in the growing pro-life feminist movement, I found myself fascinated and motivated by “Mrs. America.”
Netflix’s ‘Gentefied’ is the best American TV show about gentrification
“Gentefied” tackles an important issue with nuance and compassion.
Is ‘Mrs. America’ the most feminist show on television right now?
“Mrs. America” is the best political drama on television right now, and perhaps the greatest feminocentric period piece to date.
Hannah Gadsby isn’t doing comedy
One of the basics of comedy is the element of surprise, and Hannah Gadsby’s “Nanette” surprised us by not being comedy.
Michael Jordan and the problem (and necessity) of hagiography
“The Last Dance” is not documentary but hagiography. Many commentators mean this as a criticism, but here is the thing: Hagiographies are important—and compelling.
‘Never Have I Ever’ depicts an authentic Asian-American experience on TV. Finally.
‘Never Have I Ever’ is a refreshing take on growing up in an immigrant family, where cultural and religious traditions are part of everyday life.
The corporeal imagination of Sally Rooney’s ‘Normal People’
Class gets placed front and center in this upstairs-downstairs romance between an upper class girl and her maid’s son.
‘The Last Dance’ asks: What is the price of greatness?
The first thing I noticed when tuning into “The Last Dance” were Michael Jordan’s eyes. The second was his glass of tequila.
