Eight decades after the end of World War II, Father George Zabelka exists as a symbol of conscience, one who can communicate the message of Gospel nonviolence.
Ideas
Posted inArts & Culture, Ideas
Theater as sacramental: How drama can deepen our spiritual lives
Drama can teach us active listening and public speaking, yes; but on a deeper level, it can shape our spiritual disposition.
Posted inArts & Culture, Ideas
Catholic influencers have a media theory (and evangelization) problem
Do the social networks that Catholic influencers are forming online reflect the values of the Gospel or those of the platform?
Posted inArts & Culture, Ideas
David Foster Wallace, A.I. and the future of the humanities
Twenty years ago, David Foster Wallace delivered one of the most widely shared and admired graduation speeches of all time. It still rewards close analysis.
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Pope Francis loved literature and film—and artists loved him for it
Pope Francis trusted the imagination and regarded it as a gift from God. Instead of being suspicious and fearful of its power, he urged artists to follow its promptings.
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What will the restoration of Notre-Dame mean for the future of the French Catholic Church?
If the burning of Notre-Dame was a fitting symbol for the de-Christianization of France, could the restoration of Notre-Dame be a hopeful omen?
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A March Madness to remember: The St. Joseph’s Hawks’ 2004 N.C.A.A. run
In 2004, the St. Joseph’s University men’s basketball team made a long run in the N.C.A.A. tournament, falling just short of the Final Four. This excerpt from Aaron Bracy’s ‘A Soaring Season’ tells part of that thrilling story.
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Dick Button taught Americans how to watch, judge and love figure skating
Dick Button, the voice of figure skating for half a decade, taught us what figure skating was supposed to be.
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Van Gogh’s holy family—and mine
Looking at the Van Goghs we see a few parallels with the Holy Family, who knew humiliation and repudiation.
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The Fellini film that scandalized Catholic audiences—and the Jesuits that defended it
Federico Fellini’s “La Dolce Vita” scandalized Italian audiences. But it was a group of Jesuit priests who were determined to offer a more nuanced interpretation of the film.