I approach Jason Reitman’s just released film, “Saturday Night,” with equal parts suspicion and an unwarranted sense of proprietorship.
Film
Review: In ‘Super/Man,’ Christopher Reeve shows us how heroic vulnerability is
The documentary “Super/Man: The Christopher Reeve Story” shows us how the man beneath the cape embraced off-screen heroism by accepting his own vulnerable humanity.
Remembering James Earl Jones: the voice of God, a father and a compelling villain
James Earl Jones, who died this week, was a prominent figure on stage and screen. He also possessed a voice—and a presence—that has become iconic in American culture.
‘Sing Sing’ features the breakout performance of the year: a formerly incarcerated actor playing himself
“Sing Sing” sidesteps the trap of cheap melodrama that exploits the trials and trauma of incarcerated people.
Review: M. Night Shyamalan’s thriller ‘Trap’ reveals the true price of a double life
Living a double life requires lying to everyone around you, but it also requires lying to yourself.
From Steve Martin to Simone Biles to Jesus: The America magazine summer watchlist
America’s staff returns to give their favorite recommendations of what to watch this summer.
How Pixar’s ‘Inside Out 2’ explains modern therapy culture
Talented minds are implanting ideals in the inner landscapes of our young. We should be paying more attention.
‘Irena’s Vow’ tells an overly simplistic tale about the Holocaust
“Irena’s Vow” is true story of a Catholic nurse who used her position to shelter a dozen Jews in World War II-era Poland.
‘Late Night with the Devil’ asks: What would happen if we communicated with demons on live TV?
“Late Night with the Devil” is a film that lives on the knife’s (or dagger’s) edge—a stark reminder that we are all possessed by something.
Mothers Cabrini and Seton come to life in two new documentaries
Two new films on the lives of Mother Seton and Mother Cabrini are placing the spotlight on lesser-emphasized aspects of these holy women’s lives.
