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Gods Lonely Men: The Departed

The Departed is a puzzling name for Martin Scorsese’s remake of the Hong Kong crime action movie “Infernal Affairs” (Lau and Mak, 2002). The term generally refers to dead people. As the film progresses through its two-and-a-half-hour tour of the mean streets of working-class Boston

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There Is No Plan: World Trade Center

One scene in Oliver Stone’s World Trade Center encapsulated the entire film for me. A distraught wife of a missing police officer runs out into the street in front of her home after waiting all day for some news of her husband. The September evening sparkles with lights glowing through the win

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Films That Move and Provoke

March of the Penguins quietly took mainstream America by storm last year with its surprisingly dramatic story of emperor penguins in Antarctica. The documentary film was both a critical and a box-office success, winning an Academy Award and grossing $122.6 million worldwide. Several other documentar

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Broken Code: The Da Vinci Code

In all probability more people have read Dan Brown’s The Da Vinci Code in its Farsi translation than have read all my publications put together. No wonder. It is splendid junk, and I mean that as a positive remark, sort of. Brown has a flawless sense of his genre, and the book delivers exactly

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Falling Down, Falling Down: United 93

Plastic chairs and paper cups, laptops and cell phones: the depersonalizing symbols of air travel. Baseball hats and tee-shirts. Boarding passes spit out of machines at the beckoning of a credit card. The herding into lines by airport and airline personnel clearly bored with their jobs and annoyed b

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Star-Crossed Lovers: Brokeback Mountain

Brokeback Mountain received one of the most enthusiastic receptions of any film released this past year. The pony had scarcely left the barn before reviewers filled its saddlebags with potential Oscars. They seemed almost afraid to corral their enthusiasm. Why should such a competent but really quit

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Mixed Doubles: Match Point

My presence at a midday meeting a few weeks ago was not essential. Surely, other demands on my time were more pressing, but for some strange reason as the campus carillon struck noon, even though I’d be a few minutes late, for some inexplicable reason, I decided to put in an appearance. I open

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East Is East and…: Syriana

Syriana provides a valuable insight, one of those “Aha!” moments. Before sitting through this new film, brilliantly written and directed by Stephen Gaghan, I held the rather conventional belief that the news from the Middle East was relentlessly depressing because of the horrible events

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