A villain finds redemption in ‘Despicable Me’
Film
Sequel Shock: Why do so many films disappoint the second time around?
Why do so many films disappoint the second time around?
Not So Merrie: Ridley Scott’s ‘Robin Hood’
‘Robin Hood’ may not be any fun, but it certainly has its political instincts in the proper place.
Boys and Girls in America: The pop comic charms of ‘Kick-Ass’
At the heart of “Kick-Ass” lies a fulsome rage directed at apathy and cowardice.
The Charmer: A rake seeks redemption in ‘Handsome Harry’
While the concept of faith is never addressed in “Handsome Harry,” the entire film is built on it.
The Mystical Gaze: How movies help us encounter the transcendent.
How films can initiate the spectator into a world of transcendence.
In the Gloaming: Conor McPherson’s ‘The Eclipse’ mixes horror and romance
Though it may scare you at times, the film “The Eclipse” ultimately bestows a sense of tranquility.
In Plain Sight: “The Art of the Steal” chronicles the last days of a great museum
“The Art of the Steal” presents a convincing case to keep the Barnes Foundation in suburban Philadelphia.
Guilt Remains: Sin is inescapable in Michael Haneke’s ‘The White Ribbon’
“The White Ribbon” is a bracing argument for the ubiquity of sin. But it has little to say about redemption.
