In Werner Herzog’s new documentary, the viewer is left staring into the abyss that is capital punishment.
Film
The Wrecking Crew: The financial thriller ‘Margin Call’
“Margin Call” gives those clamoring for change on Wall Street fodder for their recriminations.
Immaculata’s Miracle: Tim Chambers’s ‘The Mighty Macs’
‘The Mighty Macs’ uses the microcosm of a women’s basketball team to explore the zeitgeist of the 1970s.
The Father’s Way: Martin Sheen and Emilio Estevez on pilgrimages, family ties and their newest film.
Martin Sheen and Emilio Estevez on pilgrimages, families ties and the creation of their newest film.
Struggling with Each Other: Believers, Doubters and ‘Higher Ground’
‘Higher Ground’ shows why when you have faith, it is difficult to understand doubt—and vice versa.
Greene Without God: Rowan Joffe’s ‘Brighton Rock’
Because it rejects the theology underlying the original novel, ‘Brighton Rock’ fails to deliver
The Song of Aibileen: What ‘The Help’ has to say
“The Help” is about telling stories and the impact such tellings can have.
With God on the Links: The quasi-Christianity of ‘Seven Days in Utopia’
The quasi-evangelical message of ‘Seven Days in Utopia’
The Best We Can: ‘Terri’ finds God in unexpected places
‘Terri’ presents a pair of quirky but inspiring characters who try to reveal the workings of grace in our world.
Behind ‘The Times’: Andrew Rossi’s new documentary surveys the paper of record
Old die habits die hard, but when it comes to the newspaper industry, habits are dying fast and furious.
