Today, Steve McQueen’s “12 Years a Slave” received 10 Academy Award nominations, including Best Picture.
Film
‘Zaytoun’ is Not a Political Film: Or is it?
Twenty years ago, traveling in Syria and Jordan with a faculty group, separated from my comrades, I wandered alone through the Palestinian refugee camp in Baga. Till then my concept of a “camp” was tents—scouts on an overnight trip, troops on bivouac—but this was a permanent
The Tall Tales We Tell: Catching up with Tim Burton’s ‘Big Fish’
An American paratrooper leaps from a plane, descends through the hazy night sky and lands, unnoticed, directly on the backstage catwalk of a large, U.S.O.-style show. Onstage an Asian ventriloquist performs an expressionless routine before a sea of unmoved military brass with a distinctly Communist
Love and Wine : The French film ‘You Will Be My Son’
‘You Will Be My Son’ raises morals issues that we could talk about for years.
One Last Ride: ‘The Lone Ranger’ and the decline of the Western
‘The Lone Ranger’ touches on major themes in the mythology of the Wild West.
Heroic Virtue: Iron Man, Superman and the God Man
Superman is not Jesus. This, it seems, should be obvious. And yet this summer’s latest iteration of the beloved superhero takes pains to draw comparisons: In “Man of Steel” Superman, while embracing his mission as the aarth’s savior, mentions that he is 33 years old, which ju
Woody Allen’s World: The bleak, brilliant vision of ‘Blue Jasmine’
The bleak, brilliant vision of ‘Blue Jasmine’
In Space as on Earth: God, science and ‘Star Trek’
In the world of “Star Trek,” God remains a lodestar of human striving.
A Fantasy Ends: Obama’s presidency in Hollywood
Last month saw the debut of “White House Down,” the second “bad guys somehow manage to successfully invade the White House” film of recent months (along with March’s “Olympus Has Fallen”). Racking in poor reviews and limited box office, “White House Do
Free Men: ‘Copperhead’ pits the First Amendment against the Fourteenth
We claim to want art that challenges our assumptions. Yet cutting through the build up from our education and enculturation isn’t easy. It is especially difficult when the art we hope will entertain us also seeks to inform us about well-known historical events.The new movie “Copperhead&r
