The “Son of God” will probably enjoy box-office success. But does that justify portraying the Son of God as a blockbuster movie hero?
Film
Blow the House Down: The big, bad ‘Wolf of Wall Street’
Jim McDermott, S.J., reviews the big, bad “Wolf of Wall Street,” up for five Oscars at this Sunday’s Academy Awards.
Girl, Interrupted: One teenager’s surprising prolife journey
The big screen has a strange relationship with abortion. The oft-made claim that Hollywood advances a liberal social agenda doesn’t hold much water when it comes to the prochoice cause. While sex, drugs and alternative lifestyles abound, when it comes to unplanned pregnancies, more often
Vicious Circle: The dark family dynamics of “August: Osage County”
In the Gospel of Matthew, Jesus says, “It is not what goes into a man’s mouth that makes him impure; it is what comes out of his mouth” (15:2). Violet Weston, the central character in the film August: Osage County has been popping a huge amount of pills into her mouth for
‘American’ Made: David Russell’s scam-tastic journey into this bonko nation
John Anderson reviews “American Hustle,” nominated for best picture in the weekend’s Academy Awards.
Praise Worthy?: Looking for the spirit of Langston Hughes in ‘Black Nativity’
Looking for the spirit of Langston Hughes in ‘Black Nativity’
Show a Little Faith: ‘The Unbelievers’ puts little trust in the viewer
‘The Unbelievers’ follows two superstars of neo-atheism: Richard Dawkins and Larry Krauss.
Scamming for Survival: The reckless life of an AIDS rebel
John Anderson reviews “Dallas Buyers Club,” nominated for best picture in the weekend’s Academy Awards.
Dallas Revisited: ‘Parkland’ adds little to JFK lore
The most important news photographer of the 20th century was a Russian-Jewish immigrant clothing manufacturer from Dallas, Texas, who almost left his camera home on the day his life went crazy. Abraham Zapruder, whose half-minute film has fueled a half century of conspiracy theories, recorded a pres
Porn and Penance: Joseph Gordon Levitt channels Augustine in ‘Don Jon’
Joseph Gordon Levitt’s ‘Don Jon’ is an Augustinian journey through cinematic excess.
