Film

Pasolini called “Salò” his first film “about the modern world.”

We must accept that Quentin Tarantino will never make a serious movie—by which is meant a movie that takes itself seriously.

In Ari Aster’s “Midsommar,” the devil is not an ugly monster hiding in the shadows—he is in the daylight, dressed in a white robe and a crown of flowers.

“American Heretics: The Politics of the Gospel” is about like-minded liberal Christians joining forces in a ruthlessly Republican landscape where people talk more religion than they practice.

Here are eight films in which Catholic horror speaks in less familiar accents, films I have never seen on other Catholic horror lists.

Woody’s penchant for self-sacrifice is just one of the aspects that has been recycled for “Toy Story 4” and while you would have to be a Grinch to find any faults in the new film, there are a few.