A public toilet cleaner who lives alone, Hirayama has discovered deep meaning and beauty in a life that others would demean or reject.
Catholic Movie Club
Posted inArts & Culture, Catholic Movie Club
Where is God in school shootings? ‘Mass’ doesn’t offer easy answers.
By focusing on parental grief, “Mass” grounds us in human tragedy even as it touches on the political and social implications of the epidemic of school shootings in the United States.
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Lessons from ‘Lady Bird’: Angst, love and the prayerful art of paying attention
We often don’t recognize our influences until much later. It’s the things we’re closest to that we have the most trouble seeing clearly.
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Why the cult classic ‘Newsies’ is a perfect Labor Day movie
“Newsies” is the rare family-friendly musical that also serves as thematically appropriate Labor Day viewing.
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Catholic Movie Club: ‘Beauty and the Beast’ and the seduction of evil
Gaston is troubling because he is the Disney villain who resonates most with reality: It’s unlikely that we’ll encounter an Ursula or a Jafar, but we all know a Gaston.
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‘Fiddler on the Roof’ and how to live out the faith in an ever-changing world
Torn between religious devotion and his own children, Tevye struggles to hold onto his faith in a new and uncertain world.
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‘The Umbrellas of Cherbourg’: a musical that echoes the sacred vision of Teilhard de Chardin
In “The Umbrellas of Cherbourg,” the ordinary becomes operatic and the everyday becomes extraordinary.
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The Ignatian creativity of ‘Singin’ in the Rain’
“Singin’ in the Rain” inspires us to meet pivotal moments with creativity, cooperation and a desire to achieve the greatest possible good.
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A Jesuit rom-com? ‘Crossroads’ explores love in a time of discernment
Would you believe that there’s a Jesuit rom-com? It sounds like a joke, but that is a fairly accurate description of “Crossroads,” a 2006 film written and directed by Murray Robinson.
Posted inArts & Culture, Catholic Movie Club
We all feel like pigs sometimes. ‘Porco Rosso’ shows us how to see the good in ourselves anyway.
The protagonist of “Porco Rosso” is a pig literally and metaphorically: He’s rude, cocksure and a notorious womanizer.