In “Coco,” memory doesn’t just summon up phantoms from the past, it reunites us with those we’ve lost.
Arts & Culture
In ‘1989 (Taylor’s Version),’ Taylor Swift reckons with her (and your) past self
With her release of the album “1989 (Taylor’s Version)”, Taylor Swift revisits the recording that transformed her from a star into a supernova, reflecting with joyful grace on the woman she was still becoming.
Supernatural or superstitious? Looking back at ‘The Exorcist’
Five decades ago, ‘The Exorcist’ proved to be a box office juggernaut—and caused America’s editors to devote a special issue to the film.
Ethan Hawke’s new biopic ‘Wildcat’ gracefully captures Flannery O’Connor’s complex attitudes on race, writing and faith
“Wildcat,” the new film by Ethan Hawke about the life of Flannery O’Connor, is not your typical biopic, a fact that seems entirely appropriate since O’Connor is not your typical writer.
The Jesuit poem you should be reading this Halloween
While certainly an unorthodox choice, “Carrion Comfort,” by Gerard Manley Hopkins, S.J., fits with the Christian roots of Halloween as an appraisal of faith in the face of horror.
Catholic Movie Club: ‘Poltergeist’ and the horrors beneath the American Dream
The Freelings are ignorant of the sacrilege that made their luxurious life possible, but that doesn’t mean they’re innocent.
How the Osage Nation became Catholic: The hard truths in ‘Killers of the Flower Moon’
Martin Scorsese’s “Killers of the Flower Moon” explores a moment in American history not often read in history books—and not always reckoned with by our churches and country.
James Dickey, America’s ‘bare-chested bard’
James Dickey’s public persona of fighter pilot, champion athlete and hard-drinking woodsman who wrote of “country surrealism” gave him an everyman appeal, even as he was perhaps the nation’s greatest poetic talent.
Review: The story of Thomas Merton’s forgotten brother
‘Remembering the Forgotten Merton’ is a brief biography of Thomas Merton’s brother John Paul, whom Merton fans know primarily through the powerful elegy that Merton composed to mark his brother’s death as a fighter pilot in the Second World War.
Review: With ‘Killers of the Flower Moon,’ Martin Scorsese won’t absolve America of its original sins
“Killers of the Flower Moon” makes a case that 80 is the new 30: Martin Scorsese, the most prominent of American auteurs and champion of film history, continues as an octogenarian to explore and expand the possibilities of the medium and scour his own soul.
