Each of the four characters in Closer, Mike Nichols’s adaptation of Patrick Marber’s play, inhabits a world of surfaces. Larry (Clive Owen) is a dermatologist, who by the nature of his specialization avoids the inner workings of his patients, and can even rearrange appearances to suit hi
Richard A. Blake
Richard A. Blake, S.J., served as managing editor and executive editor of America and director of the Catholic Book Club, as well as America's regular film reviewer for many decades. He is the author of Afterimage: The Indelible Catholic Imagination of Six American Filmmakers, among other books.
Posted inFilm
The End of Cinema: The Incredibles
Had I been writing this column 80 years ago, I would probably have lined up with those critics vigorously opposed to the talkies. “Who needs sound?” we might have argued. By the mid-1920’s film had developed into an incredibly sophisticated visual medium. The Russians had mastered
Posted inFilm
Existential Follies: I ? Huckabees
Two ladies of a certain age sitting behind me gasped during the opening sequence. The young hero Adam Markovski (Jason Schwartzman) first appears on screen walking toward the camera as his voice-over explains in spectacularly scabrous terms his bewilderment with the universe. Those of us who deal on
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Burning Bush: Fahrenheit 9/11
The worm turns. Last spring the religious right made such a fuss about the polychrome piosities of Mel Gibson that even card-carrying atheists had to line up to see what all the buzz was about. Every action has its reaction, so now the sanctimonious left has created an even greater fuss about Michae
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Hogwarts Haven: Harry Potter and the Prisoner of Azkaban
Reality leaves a great deal to be desired. Reading the morning paper feels like an ongoing suicide pact with the universe, and listening to NPR without several doses of Prozac in hand can threaten one’s tenuous grasp on sanity: Iraq, terrorism, environment, fundamentalism, economy, abuse, AIDS
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Mel O’Drama: The Passion of the Christ
Why am I writing this? More to the point, why are you reading it? The answer is simple. Everybody has to say something about it, and many of you feel you have to see it. Even before seeing the film—and making it clear that I had not yet seen it—I was badgered into making statements on it
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Lovers in the Ruins: Cold Mountain
Cold Mountain adds significance to its shopworn narrative with several brilliant scenes that have only marginal relationship to the story line. That is not an altogether damning comment. Jean Renoir, the great French director, once expressed his admiration for American Westerns: “They’re
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Two Rivers: Mystic River
The Charles River is English tweed and cappuccino from Starbucks. It splits the twin campuses of Harvard University and hosts the Head of the Charles Regatta, a band shell for the Boston Pops and fireworks on the Fourth of July, marinas for modest but assertively picturesque sailboats and a lovely p
Posted inBooks
Through an Urban Lens
Woody Allen has never been in the Spielberg or Lucas class of popularity with American audiences yet the critical literature surrounding the artist and his work continues to grow beyond any correlation to his box-office numbers With the possible exception of Hitchcock Allen may be the most scruti
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Gulag Erin: The Magdalene Sisters
Given the choice between dental surgery without anesthetic and The Magdalene Sisters, call your dentist for an appointment immediately. In either case, pain may be salutary in the long run. The film raises too many important issues to be dismissed as just another skirmish in the vast anti-Catholic c