In Werner Herzog’s new documentary, the viewer is left staring into the abyss that is capital punishment.
John P. McCarthy
With God on the Links: The quasi-Christianity of ‘Seven Days in Utopia’
The quasi-evangelical message of ‘Seven Days in Utopia’
Heaven No More: ‘The Last Mountain’ documents West Virginia’s destruction
‘The Last Mountain’ offers a damning litany of harms caused by mountain-top removal.
Divided We Fall: Robert Redford examines big ideas in ‘The Conspirator’
Robert Redford’s “The Conspirator” presents a hinge moment in the history of American democracy.
Hanging Ten, Steadied from Above: Faith takes action in ‘Soul Surfer’
Only the prickliest atheist could take offense at the Christian message of ‘Soul Surfer.’
Ghost Stories: The vacuous theology of Clint Eastwood’s ‘Hereafter’
The vacuous theology of Clint Eastwood’s ‘Hereafter’
In the Crosshairs: ‘Lebanon’ explores the surrealism of war
‘Lebanon’ is a bracing addition to the canon of anti-war films.
Confessions of a Heartland Hermit: Robert Duvall channels Tolstoy in ‘Get Low’
The new film “Get Low” contemplates the moral psychology of coming clean.
In the Gloaming: Conor McPherson’s ‘The Eclipse’ mixes horror and romance
Though it may scare you at times, the film “The Eclipse” ultimately bestows a sense of tranquility.
Flying Solo: A road movie for the Great Recession
“Up in the Air” is a heady mix of social drama, dark comedy and, figuratively speaking, mile-high romance.
