John Anderson

‘The Unbelievers’ follows two superstars of neo-atheism: Richard Dawkins and Larry Krauss.

John Anderson reviews “Dallas Buyers Club,” nominated for best picture in the weekend’s Academy Awards.

The most important news photographer of the 20th century was a Russian-Jewish immigrant clothing manufacturer from Dallas, Texas, who almost left his camera home on the day his life went crazy. Abraham Zapruder, whose half-minute film has fueled a half century of conspiracy theories, recorded a pres

Joseph Gordon Levitt’s ‘Don Jon’ is an Augustinian journey through cinematic excess.

Baz Luhrmann presents an overwrought ‘Gatsby’ for the digital age

If it only had a brain, one is tempted to suggest, Oz the Great and Powerful might have been as welcome as spring. Still, it is not an entirely brainless movie or completely lacking a heart. And it certainly has nerve: Positioned as the very presumptive heir to “The Wizard of Oz,” perhap

The urgent message of ‘A Place at the Table’

Kathryn Bigelow’s ‘Zero Dark Thirty’ is a masterpiece of ambiguity.

Steven Spielberg’s ‘Lincoln’ is a canonization fer sure, as Abe might say.

Paul Thomas Anderson’s  ‘The Master’