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Number tiles await placement on the hymnal board. (iStock/linephoto)
FaithShort Take
John Zupez, S.J.
A supposed need for variety imposes more and more hymns on congregants, but the cost of novelty can be the full, active participation of those in the pews, writes John Zupez, S.J.
FaithMusic
Molly Mattingly
Last year, 'America' published “An (unconventional) Advent Playlist.” This is my (much more conventional) Advent playlist.
A handwritten score for ‘Silent Night,’ autographed by the song's author, the Rev. Joseph Mohr (photo: Salzburg Museum).
Arts & CultureMusic
Edward W. Schmidt, S.J.
On Christmas Eve 1818, in the church of St. Nicholas in Oberndorf near Salzburg, “Stille Nacht” (“Silent Night”) was sung for the first time. Today, the carol has been translated into some 300 languages.
FaithTheater
Kevin McCabe
With his "Mass," Leonard Bernstein uses liturgy to give voice to political unease.
Arts & CultureMusic
Colleen Dulle
Bob Dufford, S.J., started writing “Be Not Afraid” when he was, well, afraid.
Arts & CultureBooks
Diana Macalintal
David Haas gathers 132 songs from among his most widely known pieces, like “Blest Are They,” “We Are Called,” “Now We Remain” and “You Are Mine,” and others not as familiar.