Despite all of its references to Christianity, “Uncharted” offers us nothing more than a straightforward treasure hunt.

The film mostly reinforces a longstanding and problematic trope.

In “Camera Man,” the critic Dana Stevens uses the biography of the great silent film clown as a lens to explore the early days of movies, the cultural forces that gave them birth and the social upheavals they in turn engendered.

The Oscar nominee “Drive My Car” is a three-hour elegy whose quiet intensity intimates an emotional storm beneath the surface.

“As a Deaf person, I am exhausted at yet another mainstream story that pretends to be about my identity filtered through the eyes of the hearing other,” writes Garrett Zuercher.

“The Lost Daughter” raises startling questions about the role of motherhood as it comes into conflict with a woman’s desire to achieve something beyond domestic responsibilities.