The Museum of Contemporary Religious Art at St. Louis University stands out for its singular focus on art that is genuinely interfaith.

Any hand stitcher will tell you: To embroider or crochet slowly mends the spirit, stitch by stitch.

Part sculpture, part landmark, it is unclear what purpose the structure plays in the public sphere.

An exhibit on Chinese empresses featured a rare display by two Jesuit missionaries whose artwork was in the past largely seen only by royalty and high government officials.

Chloe Becker was upset when she realized she could not name a single African or African-American saint.

Every other year it hosts the Whitney Biennial, which famously asks the question: What is art in America today? A question that can be broken down into two separate lines of inquiry: What is art? And, what is America?