Suicide and martyrdom have become our constant companions in this dark new century. We’ve settled comfortably into explaining the phenomenon in terms of extremism or fanaticism. We place the blame securely on tribal and religious traditions gone terribly wrong in the minds of some few who woul

Suppose Guantánamo and Abu Ghraib are not merely momentary aberrations, but rather preludes to even stronger responses to the threat of terrorism. After all, in a very short time, we’ve become used to teams of guards in black coveralls carrying automatic rifles as they patrol our airpor

Thirty-plus years of doing this column have given me quite a high tolerance for awful stuff, but Apocalypto nearly beat me. After an hour, it took sheer will power to keep me in my seat. Yes, most early reviews of the film have been positive, but not ecstatic, so perhaps the problem rests in the eye

The idea that Hollywood has found religion gets a boost from The Nativity Story, touted by its distributor, New Line Cinema, as the first-ever major motion picture devoted to the story of Jesus’ birth. Whether or not that claim is true, the movie is the best example of the recent rapprochement

The Departed is a puzzling name for Martin Scorsese’s remake of the Hong Kong crime action movie “Infernal Affairs” (Lau and Mak, 2002). The term generally refers to dead people. As the film progresses through its two-and-a-half-hour tour of the mean streets of working-class Boston

Films can be a fine introduction to the saints. And sometimes the movie versions are as good as any biography for conveying the saint’s special charism.