For playwrights, family dramas are never just about families.

Good theater draws us into its few hours of seeming reality, but it is most effective when it speaks to our lived reality.

Three new Off-Broadway shows don’t just show us what draws musicians to their chosen medium; they make us hear it, with often bracing effect.

Sondheim has left the building, and he lives on only in interpretation and iteration, no less than Shakespeare or Mozart.

I was saddened but not surprised by the pro-abortion position of the dramatists guild.

In 'August Wilson: A Life,' an excellent new biography by Patti Hartigan, we read of the winding path that led Wilson to his ascendance, then delves into the tumults and triumphs of his two decades at the heights of achievement.