Bradley Cooper's new Leonard Bernstein biopic, "Maestro," offers a portrait of a soul that struggled to determine which direction it wanted to take in the world of classical music.

“The Holdovers” is a character-driven drama about unlikely friendships born of shared proximity.

“Rapito” is a compelling and often infuriating tale of church power that will likely never be shown at the Vatican.

“Wildcat,” the new film by Ethan Hawke about the life of Flannery O’Connor, is not your typical biopic, a fact that seems entirely appropriate since O’Connor is not your typical writer.

“Killers of the Flower Moon” makes a case that 80 is the new 30: Martin Scorsese, the most prominent of American auteurs and champion of film history, continues as an octogenarian to explore and expand the possibilities of the medium and scour his own soul.

Why can’t Hollywood reinvent ‘The Exorcist’? Money, lots of it, can be the only reason why any studio would invest in this franchise.